CinemaShafiq

A haunting and intense recount of the Chernobyl incident in 1986. Craig Mazin successfully made a grim, haunting, suspenseful recollection of the incident based on the actual facts and persons involved. Jared Harris, Stellan Skarsgaard and Emily Watson's acting were excellent in portraying conflicted important personas in the 80s Soviet. There were comments criticising that the one bothering thing about the series was that the fact that all the casts were using English, and not Russian, but to me, that didn't even matter as biopics not using the original language is pretty common and the series actings, story and other technical aspects was too damn good to consider such small issue. The music, composed by the brilliant Hildur Gudnadottir and the costume department, covering makeups and attires of the casts add to the haunting elements of Chernobyl, and Craig Mazin got the environment of the 80s Soviets perfectly, even to the tiniest details such as the color of th

As expected of a 90s comicbook movie, way before Sam Raimi's Spider-Man and Bryan Singer's X-Men paved the way to the golden age of superhero movies; Spawn was cheesy and campy as hell, with all it's 90s campy elements - leather attires, crappy punk rock music etc. However, the movie got the titular character, Spawn, right. His origin story, and his badass costume design were totally cool, unique and remarkable. Despite the poorly animated third act, I like this film for it's good old 90s films campiness and for our badass Spawn, the first antihero on big screen before Blade, Deadpool or Venom.  I can't wait to see how the upcoming Todd McFarlane's  Spawn  reboot gonna look like. 5/10

Not the better Michael Mann movie, too bad because I really enjoyed Heat and The Last of the Mohicans . Gong Li and Colin Farrell's chemistry felt really forced. Mann was making their relationship the typical "law guy meets hot crook girl and fall in love" but it did not worked for me. There are no chemistry whatever between them at all.  I still like the whole "undercover cop dealing with drug dealers" vibe though, it feels like a GTA movie. Hmm.. about time we got a live action GTA movie. Still, to be honest, I never planned to watch this movie. I know that it exists and it was a remake of a 80s TV series but I was on Netflix one day, and the thing that got me into watching is Linkin Park's "Numb" Encore version in the beginning though, and that's the best outtake of this movie. 6/10

Well.. it's just that, I guess? I give credit to the film and Namewee for being so brave and I would consider this is the first local film that went all out for political satire - jokes about Najib, Rosmah, GE13 jokes, IC to immigrants jokes, Lynas etc. This film also had Namewee-style handprints all over it, and this film also was set in a fictional Malaysia, as Malaysia is being invaded by the Luk Luk army, and Atikah Suhaimie is running around in skimpy nurse outfit , which definitely is not the type that Malaysian nurses wear. But I'm not complaining.  Nurse mode Atikah Suhaime Banglasia was interesting as it was set in a fictional Malaysia and packed with political satire with a Bangladeshi worker as the protagonist, so we see the struggles and what the immigrants went through everyday, so that's interesting. But that was all Banglasia had to offer. It doesn't go any deeper than that, exploring carefully or in detail about the hardships and oppre

As a movie lover as well as someone who is really invested in Malaysia's political scene, I think the existence of this film itself is an accomplishment. The story of 9 May 2018 indeed, should be made into a film. With that being said, this film was good, but it could've been better. The six-story narrative may need to be revised or cut to less than six, and it can be felt that this film was rushed as the script itself felt like assemble of events happening in Malaysia, before and during the GE14.  I am a lover of historical and biography films, but it irks me a bit when a film that had a potential to be great turnt out to be only subpar, especially coming from Nik Amir Mustapha (whom directed KIL , a local film that I really love) and Saw Teong Hin (who directed Puteri Gunung Ledang ).  The story(ies?) were messy and the overall production of this film just felt rushed. They should've take their time to develop and produce this movie, Pakatan Harapan is going to

This whole movie is basically just Jared Leto enjoying his weird affection to the Japanese culture, this time; a white yakuza. Maybe he didn't had enough satisfaction playing with Japanese elements in Blade Runner 2049.  There was nothing much about this film, it was about Jared Leto being a former US military, stranded in Japan, and for some weird reason in the universe that this film was taking in - the Yakuza seems to be very welcoming in accepting a gaijin , a white one especially, being accepted into the family. Sure, to be honest, the promise of a white guy being a part of the Yakuza is actually interesting, and there were plenty of materials already made on this premise.  However, what we got is one long movie, which drags and didn't really deliver a good story about that and what was more annoying is that there seems to be illogical "white saviour" moments sprinkled in this movie. It felt like Tom Cruise's The Last Samurai . That fi